THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, using this type of distinction: Buster appears a plausible mate, plus the Tramp hardly appears to have a libido, only idealized notions. If their comedies had been produced in a far more liberated time, it is feasible to assume Keaton in mattress with a girl, but disquieting to consider the Tramp like a sexual